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Simon & Louise at Blended Monkey

WHO WE ARE ...

Our Ethos

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Blended Monkey was founded by husband and wife team, Simon and Louise Taggart, whose studios are based in a small village on the Norfolk/Cambridgeshire border, where the surroundings and changing seasons provide ample inspiration for some of the designs and ideas that can be found in their pieces.

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They are keen supporters of and fundraisers for the Mind charity, and the past few years have seen Simon and Louise focus their efforts on offering creative therapy workshops to provide rehabilitation and therapy for people of all ages who are suffering with brain trauma, strokes, Alzheimer’s disease and dementia.

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They are also increasingly seeing students who are coping with poor mental health (depression, anxiety, PTSD …) often resulting from stressful jobs which take their toll physically & psychologically.

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The regular practice of any art or craft is incredibly beneficial in the treatment of those with poor mental health or who are rehabilitating after a brain trauma. Simon and Louise have seen amazing results in some of their students who come to them regularly to create with wood & clay. They work together with care associations, council departments & individuals to tailor their half- or full-day workshops to suit the individual needs of the student. They really enjoy sharing their woodturning and ceramics expertise and their lovely environment to contribute towards the rehabilitation and therapies of people in need.

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In a world where it's becoming increasingly difficult to find a truly special gift that is unique and has not been mass produced for a hurried market, the aim of Blended Monkey is to offer a selection of hand-crafted, bespoke gifts, artwork and collections made from the natural materials of silkclay and wood - and no two items are ever the same. Simon & Louise also work together to create multi-media pieces which celebrate the fusion of wood, clay and silk.

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The silk collection can be worn, draped over chairs or hung on the wall as art. Louise has created a series of unique, intricate designs which she paints on scarves, ties, handkerchiefs and cushions. In keeping with the blended theme, some of the designs have become the inspiration for collections, for example the Seascape Collection, which include her clay pieces and also Simon's wood art.


The ceramics gallery offers robust and utilitarian pieces which are pleasing to the eye and tactile, as well as one-off sculptural artworks.


The aroma of the beautifully turned wooden pieces, coupled with that instinctive need to reach out and feel their smooth surfaces, lend Simon's hand-crafted, wood-turned collection such a lovely, unique edge.

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LOUISE TAGGART

Ceramicist & Artist

I studied Art & Design at the Falmouth School of Art & Design in 1989, and have been interested in various art forms, design and applied arts all my life.
I moved to Germany when I was 20 years old, wrote and recorded my own music, opened up a shop in Munich (where I also sold my silk paintings), dipped in and out of ceramics, became a freelance translator and had my daughter …

I returned to the UK when my daughter turned 1, and although I continued to translate from my office at home, I was able to finally establish my ceramics studio.

I met my husband, Simon, in 2005. We enjoy the challenge and the fun of combining our artistic disciplines.

My work is a nod to my love of the sea (both in Cornwall & Norfolk) and our Fenland environment. I am a member of Greyfriars Art Space.

SIMON TAGGART

Woodturner

I spent the first part of my working life in the IT industry, and it wasn’t until my wife treated me to a birthday present of a woodturning course soon after we met that I caught the woodturning bug.

Where possible, I make my pieces from locally sourced wood. A turned piece can be highly tactile and it can take some time to determine the appropriate finish for a piece once I have made it.

I am a member of AWGB (Association of Woodturners Great Britain), the APTGW (Association of Pole Lathe Turners and Green Woodworkers), and Greyfriars Art Space.

I really enjoy the fact that Louise’s ceramics and my woodturning are so in tune. We can replicate each other’s ideas, but in different media; the mechanisms are very similar.

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